{"id":1148,"date":"2025-06-17T08:46:23","date_gmt":"2025-06-17T06:46:23","guid":{"rendered":"http:\/\/exhibition-telling.com\/?page_id=1148"},"modified":"2025-06-17T08:46:23","modified_gmt":"2025-06-17T06:46:23","slug":"the-broad-audience","status":"publish","type":"page","link":"http:\/\/exhibition-telling.com\/?page_id=1148","title":{"rendered":"The Broad Audience"},"content":{"rendered":"\n<p>Good stories can be ambiguous\u2014so intricate they make our brains crackle with effort, or so shimmering they send us drifting through a web of associations. Some people find these kinds of stories absolutely fascinating. But for many, they feel like riddles\u2014confusing and overwhelming.<\/p>\n\n\n\n<p>That\u2019s why, in my workshops, I share tools that help a broad audience connect the dots in exhibitions. Tools that make it easier for visitors to understand what they\u2019re seeing.<\/p>\n\n\n\n<p>And no\u2014crafting narratives that are easy to follow and as clear as possible doesn\u2019t mean patronizing the audience. It\u2019s not about telling people what to think.<\/p>\n\n\n\n<p>It means recognizing that exhibitions are a demanding medium.<br>Cinema: Ticket \u2013 popcorn \u2013 curtain up.<br>Museum: Ticket \u2013 um, where does it start? \u2013 oh, there\u2019s an audio guide \u2013 hmm, this text is long\u2026 do I have to read it? And which object is it even for?<\/p>\n\n\n\n<p>It means respecting that, for many people, a meaningful cultural experience is one where they can easily follow the content or storyline. Thomas Renz came to this conclusion in his study on occasional theatre-goers. \u201cThe need to interpret on one\u2019s own is perceived as a negative burden,\u201d he writes. His findings provide compelling reasons for this.<\/p>\n\n\n\n<p>It also means embracing the fact that many of <em>us<\/em>\u2014curators, museum directors, cultural policymakers, and so on\u2014enjoy accessible, entertaining media ourselves: Netflix, true crime, Harry Potter\u2014you name it. The broad audience? That\u2019s us.<\/p>\n\n\n\n<p class=\"has-small-font-size\">Renz, Thomas (2016) <em>Nicht-Besucherforschung: die F\u00f6rderung kultureller Teilhabe durch Audi\u00adence Development<\/em>. Bielefeld: transcript.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Good stories can be ambiguous\u2014so intricate they make our brains crackle with effort, or so shimmering they send us drifting through a web of associations. Some people find these kinds of stories absolutely fascinating. But for many, they feel like riddles\u2014confusing and overwhelming. That\u2019s why, in my workshops, I share tools that help a broad&hellip; <a class=\"more-link\" href=\"http:\/\/exhibition-telling.com\/?page_id=1148\">Weiterlesen <span class=\"screen-reader-text\">The Broad Audience<\/span> <span class=\"meta-nav\" aria-hidden=\"true\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/exhibition-telling.com\/index.php?rest_route=\/wp\/v2\/pages\/1148"}],"collection":[{"href":"http:\/\/exhibition-telling.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/exhibition-telling.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/exhibition-telling.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/exhibition-telling.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1148"}],"version-history":[{"count":1,"href":"http:\/\/exhibition-telling.com\/index.php?rest_route=\/wp\/v2\/pages\/1148\/revisions"}],"predecessor-version":[{"id":1149,"href":"http:\/\/exhibition-telling.com\/index.php?rest_route=\/wp\/v2\/pages\/1148\/revisions\/1149"}],"wp:attachment":[{"href":"http:\/\/exhibition-telling.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}